This is a story for which I’ve never found a publisher.
That probably means this story isn’t as good as some of my others but I don’t
care. This story amuses the hell out of me. And there’s a lot of hell in me so
that’s a lot of amusing. I started this one thinking… Well, actually, I’m not
sure what I was thinking but I liked the way it developed and I was surprised
by the ending. I guess I can’t stay away from small, southern towns.
The latest revision on this one is
dated 2015 but the original version is several years older. I’m not sure just
when I started it but it was probably before 2010.
So You’re Dead; Now What?
By Lee
Wright
Here’s the deal: You’re dead. Departed.
Deceased. Done.
Your new BMW sailed off a dark mountain road, plummeted more
than three hundred feet, and landed on its roof. Your skull imploded, your neck snapped, you
pissed your three-hundred dollar pants, and everything went black.
How long the darkness lasted you can’t say but, now, you
find yourself standing on a cold, rocky beach.
The car lies on its top, the roof crushed nearly even with the
hood. A film of blue flame spreads
across the undercarriage, pulsing in synch with the pounding surf.
What a shitty ending to a great night, you think.
Earlier, you and Monica were attending your company’s swanky
annual awards dinner at a country club up in the mountains. You received a plaque and an impressive
bonus. Back at your table, you
“accidentally” let Monica get a quick look at the check. Five minutes later, you were on the road,
running full out, back toward L.A.
Cresting a hill, you put your hand on the back of Monica’s head and
guided her down. She didn’t resist. At some point, you closed your eyes to savor
the moment—just for a second or two, three at the most, but it was long enough
to miss the curve.
You see Monica’s arm protruding from the passenger window,
the skin pale as fine porcelain in the moonlight. Her fingers twitch, the arm moves. She’s alive!
You start for the car, but the sheet of flame that clings to the
undercarriage swirls, ripples and condenses.
A second later, the car explodes.
Instinctively, you throw your hands up to protect your face,
but the flames simply pass over you and through you. You feel the heat, but experience no
pain. Cautiously, you lower your hands
and watch a column of flame rise from the wreck. It blossoms for an instant into a gorgeous
luminescent mushroom before collapsing in on itself with a soft whimper. Now the flames cling close to the car again,
a second skin of orange and indigo, as the great oily black cloud disperses in
the otherwise clear night sky. The wind
shifts, cutting across the boulder-strewn beach, and you get a face-full of an
ungodly stench. Is it the burning
leather? The oil? No, a voice in your head says.
It’s Monica.
A wave of nausea rocks you and you turn away, gagging, hands
over your face. Behind you, the car
continues to burn. Salty spray clouds
the air. The wind is sharp, cold,
refreshing.
You look toward the sky.
Where’s the tunnel and the bright light?
Where’s the Angel of Death?
Where’s the Redeemer they promised in Sunday School so many years ago?
You turn back to the car and see Monica’s arm on the
ground. The once pale skin is now black
and bubbling. But that’s not really her
anymore, just as you are no longer you.
So where is she? If she’s just as dead as you are,
shouldn’t she be here, too? Maybe she has gone on,
you think. But gone on to what? There
is no Heaven. There is no Hell. You’re sure of that. Or
are you?
Back in that tiny Appalachian town you once called home, you
were taught to be a good Southern Baptist.
But you gave all that up in college after they taught you to think for
yourself. Once you started doing that,
your native religion seemed antiquated and silly, much like your hometown
itself. For the last decade of your
life, you were an avowed atheist, but you wonder what you will be in
death. And what about the common
expectation that all life’s great questions will be answered postmortem? You clearly haven’t received total
enlightenment in exchange for your mortal coil.
In fact, you’re more confused now than you were before you drove off the
cliff.
This is all too much.
This afternoon, you were an upwardly mobile twenty-nine-year-old junior
executive. In a year or two, you would
have been pulling down high six figures and driving an even better car—maybe
that Porsche you had your eye on. In
another twenty years (fifteen if those investments panned out), you could have
retired to a villa on an island in the Caribbean and spent your days fishing
for marlin. There would have been a lady
with you there in those golden days by the sea, but you know it would not have
been Monica. You liked her well enough,
but she was just a passing fancy, something to occupy your time until you could
afford someone better looking and less opinionated.
Would you have felt differently about her if you had known
her ten years ago when, thirty pounds heavier, she was waitressing her way
through a junior college in Iowa? Would
you have crawled out of your one-room basement apartment to share pizza and
cheap beer with her? Would you have
comforted her when her dream of becoming a nurse came crashing down in a blaze
of latent ineptitude? Would you have
reassured her that being a travel agent was just as vital a career?
A better question might be would Monica have chosen you? What would the chubby-but-cute daughter of
successful farmers have thought about the son of a factory worker from rural
Georgia? In those days, would she have
believed that, barely a decade down the road, the soft-spoken guy fighting to
overcome his southern accent would be a key player with a well-known and
well-respected company? Would you have
believed it, yourself?
It doesn’t matter.
Even Romeo and Juliet, Bonnie and Clyde, Quasimodo and Esmeralda were all
still dead in the end. And here’s the
worst part: It’s all your fault.
But so what if it was
your fault? Who will care?
Your mother will care.
You haven’t even thought about her in weeks—maybe months,
but some of your family—your mother and your sister, for sure—will undoubtedly
miss you. For reasons you’ll probably
never understand they have always loved you no matter how much of a pretentious
and arrogant douchebag you became. They
loved you when you lived under their roof, they loved you when you moved away,
and they loved you when you refused to return.
You try to remember the last time you visited. What’s it been? Three years?
Four? No, you haven’t been back since they buried your father five
years ago. After the old man’s heart
exploded at the factory where he had worked for twenty-five years, you had to
go back to that godforsaken place and hold your mother while she cried. But you didn’t have to stay.
Though you’ve never admitted it—not even to yourself—you
started drinking to forget that day and all the days before it. You did lines with Monica because the coke
cleared your head for a while, replacing the memories of home with the raw,
jittery dreams that lived underneath.
The intoxicants, like everything else in your recent life were part of a
big piece of sandpaper, scraping away the rough edges of your youth.
You turn your eyes toward the sky again, but there is still
no great parting of clouds, no thunderously angelic voices calling you
home. You could wait and see what
happens, but death doesn’t seem to have made you any less impatient. If only someone could tell you what to do.
In life, you had a mentor of sorts, for a while,
anyway. It was with his guidance that
you took your first uncertain steps off the path you had mapped out so long
ago. You eventually left him behind, but
that’s the way the game is played.
Advancement is for the young and ambitious.
If only you had a mentor now.
And then you
realize: That’s it. You
must simply do in death what you did in life.
You must venture forth and seek out your own kind; find a ghostly
mentor.
Not knowing exactly where to go, you walk along the beach
for more than a mile until you reach the road that runs up the side of the
mountain. At the top not far from the
curve that killed you, is a large cemetery.
You were there two years ago with a blonde from San Diego. Her name escapes you now but you remember
fucking her on the well-manicured grass behind a marble mausoleum while the
Virgin Mary looked on with impassive stone eyes. You were pretty drunk, but you remember her
body and you remember that the cemetery is elegant, the headstones impressive,
the iron gates high and ornate. Perhaps
there you can find others who share both your predicament and your social
station.
It’s a long walk, but you make good time. Your muscles don’t ache, your lungs don’t
burn, and the climb across the gate is not difficult. In the darkness, the tombstones seem to go on
forever, a sea of carefully etched gray slabs, rising and falling in gentle
waves on a sea of hunter green. The
flowers are nearly colorless in the moonlight, their heads bowed, as if in
somber reverence. Across the cobblestone
path from you, behind a bed of roses, a lanky stone corpse lies cradled in the
arms of his silently wailing mother.
“Any suggestions,” you ask the recumbent figure.
You get no answer, but it’s not the first time the Son of
God has met your inquiries with silence.
You use your hands to make a megaphone around your lips and
call out, “Can anyone hear me? Can
anyone see me? Is anyone here?”
You wait but no voice responds to your cry.
“Helloooo! I’m dead
and I’m kind of lost! Little help?”
Again, no answer.
You lower your hands and your voice. “Single white dead guy, lost in Limbo, seeks
non-smoking, non-corporeal female companion.
Must like long, moonlit walks and haunting trendy restaurants.”
Nothing.
Maybe all the other ghosts have already gone out for the
night. You can tell from the quality of the headstones that, like you, these
were once important members of society.
It seems reasonable that, even in death, they have places to go and
things to do.
Think, you tell
yourself. Just think. You are, after all, an educated man. You have a BA in Business Administration and
an MBA in Business Management. What did
you learn in college about death and the afterlife? Nothing. You learned absolutely nothing about that
sort of thing because you have a BA in Business Administration and an MBA in Business
Management.
After a few minutes of studious reflection, you realize that
all you really learned in college was not to drink large quantities of beer
before drinking large quantities of liquor.
There was even a little poem to help you remember that.
Why is that all you remember? There were hundreds—maybe even thousands—of
really great poems about death. But you
never paid attention to any of those, did you?
No, you were too busy getting drunk and trying to get laid. After all, malt does more than Milton can to
justify God’s ways to man.
You look up at the sky just as a cloud passes in front of
the moon and, suddenly you do
remember something—a short story maybe—by someone whose name you can’t quite
recall. Was it Sandburg? Frost maybe?
It’s coming back to you now. What
you’re thinking of is a poem by Robert Frost about an old man who goes back to
a place where he once worked because, according to the poem, “home is the place that, when you go there,
they have to take you in.”
You think about this for a minute then you say to the empty
cemetery, “Home is the place that, when you go there, they have to take you
in.” You’re not sure you have the quote
exactly right, but it feels good to say it aloud so you say it again.
A very faint light has appeared on the horizon to the
east. It’s probably nothing more than
the first rays of dawn, but you don’t care.
It’s a light and, right now, you want nothing more than to walk into
it. Your feet move across the damp grass
of the cemetery and the light glows brighter.
As you walk, the light is warm on your face and you hear— You’re not sure just what it is that you hear, but there is definitely something
there. A sound. A voice.
Something!
You start to run. The
light intensifies, filling the sky before you, shifting from vermilion to
crimson to gold. On either side of you,
the landscape blurs, shimmers then vanishes.
Now, faces, places, and events whip past you like rear projection
screens in some old B movie. They’re
blurred and jittery, but you recognize the images: Your first love back in high
school, the chunky girl with the sweet smile…
Your freshman dorm room. It
reeked of beer, pizza, pot, and tissues full of seamen… The cramped cubicle with motivational posters
on the wall… Monica in a little black
dress at a club on the Sunset Strip… Each
image, each moment, each action, is but another stepping-stone on the
arrow-straight path to that winding mountain road that took your life.
Your feet slap soundlessly on the smooth road as you run, a
phantom rhythmic accompaniment to your silent breathing. The sky is blue now. As blue as your high school sweetheart’s
eyes. As blue as the waters of the
little lake in the valley you once called home.
The valley, lake and all, stretches out before you, green,
fertile, and full of life. On the narrow
streets, a long line of cars moves slowly toward the cemetery where your father
and your father’s father are buried. You
realize now what it was that you heard, what you were running toward. The sound you heard in the sunrise was the
tolling of an iron bell, calling you home.
© 2015 Lee
Wright
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